Furnishings

A truly innovative Coffee Table. It stands out for its personality and semplicity. Perfect as a Coffee Table, Container or Sigar Humidor.

A Coffee Table with a special cladding: Scagliola Fiorentina! This cladding has the look of most prestigious Italian marbles. Furthermore this Coffee Table has an internal stainless steel cabinet with electrical lifting mechanism.

A revolutionary way of living a Barbecue. This table hosts 2 Gaggenau Grills that are perfectly embedded in its Hard Top. This model develops an unique way of living a Barbecue in a more convivial way having 2 Top of The Line Barbecue Plates. The Hard Top is made out of an extraordinary material: ‘Continuous Ceramic’. This innovative material doesn’t have any dents and holes and is perfect for OUTDOOR use.

A perfect equilibrium between complementary elements of the soul, sheet metal and aged larch-wood, which together evoke functionality and solid concreteness, in contrast with the multifaceted interplay of shapes and joints. The backrest element which becomes without any
element of discontinuity, a foot-rest, supported with lightness by a cylinder of transparent plexiglass.

Coffee table bar with sliding bar and electric operated system.

Coffee table bar with electric operated system.

Armchair in teak panelling.

Coffee table with electric operated bar lifting system.

Table with electric trolley lifting system.

Mobile container with electric tv lifting system.

Turning table with electric operated trolley lifting system.

Coffee table bar with sliding bar and electric operated system.

Resin armchair.

Resin Table.

Table with multi-station facilities and electrically operated tv lifting system.

Structure in iron with steel sheets trated with glossy transparent finishing or colored paint.

Steel structure with steel sheet treated with transparent finish or glossy colored paint.

Structure in aluminium treated with clear gloss finish.

Solid wooden Structure.
The darker model’s color derives form burnt wood. Its structure is covered with a black steel panel treated.
Solid wood and sheet of black plate are the materials used for the natural color model.

Dimensions

40x40xH75

Polished and satin copper foils blend in a mosaic panel. Enriched with an automated system to open doors and lift monitor.

Polished and satin stainless steel blend in a mosaic sheet. The central block is retractable and mechanized; it is covered with brass and segmented glass walls

Slim but of great scenic impact. The game of disproportions and the stark contrast between the monolith oak base and lightweight aluminium step give the lamp a great personality. The geometric rigor and minimal look are its hallmarks. Thanks to the emission of direct light, it is particularly adapted to reading.

The table lamp made entirely of iron rod, shamlessly reveals the internal structure, which becomes distinctive and primary. The geometric play creates a sculpture to exhibit, a sort of unlikely and unstructured octagon, where the bulb hangs with a simple knot. A totally design feature, of the meeting between art and functionality.

An unexpected point light, perfectly minimal, and completely freestanding, capable of varying with its presence, the layout of a room. From its modern look, it adapts to all situations and living requirements, focusing on functionality reduced to the essentials. A real and true line of light, almost a neologism in its inspiration deriving from the lights of dressing room, which are simplified and reduced to a single element.
A traditional line has the bulbs visible and can be positioned both in vertical, totally freestanding, and in horizontal, hanging from the ceiling, supported by stainless steel cables: Linea Soft has the light enclosed by a steel mesh for a soft lighting effect, and hangs from the ceiling.

Focuses on traditional forms reinterpreted in oversize version, the floor lamp, made entirely of metal. The choice of iron for the base and the stem, and galvanized steel for the shade give the lamp a total look of great modernity. The subtle profile of the stem, structurally solid, brings attention to the lampshade enriched by punched holes which let the light flow out in small rays.

Aesthetic rigor purer and formal linearity for the screen – a separé with steel frame and inside in black glass. It offers a double functionality: aesthetic, as a decorative element and chromatic screen, it is practical, to divide spaces with style. An accessory of great topicality, and multifunctional, designed to separate, hide, divide and invent small momentary in temporary settings of great importance.

Linear, eloquent and decisive. The clothes cupboard with the design cut, chooses a bare iron plate and simple kitchen hooks to give life to a decorative complement half way between a painting and a sculpture. With character, but also practical, it is a clear example of when functionality de-structures to become a work of art.

To deconstruct, rethink and see from a new perspective. These are the elements which have inspired the box-container for wines, where the conceptual and the visual simplicity become distinctive elements. Iconic and with a distinct formal purity, it gives a re-reading in an aesthetic key, with an impactful re-styling, wine cellars and containers, for bottles of wine.

Hi-tech linear look. The cabinet designed to house all video technology offers customized solutions that fit with sobriety and simplicity in the home. Almost a theorem of spaces, where everything is in its place, exhibiting maximum usability and great aesthetic attention.

The pure aesthetics of the form for the consol without useless frills, which reveals without shame the sould of its internal structure. In full view, it becomes a hybrid dual-purpose stand and container. The well defined lines and slim look, deliberately bare, propose a rigorous design, an absolute interpreter of spaces.

A perfect circle becomes a functional and scenographic element revealing its nature as a container. Traditional piles of wood are ennobled and become the pretext for exhibiting a piece which is half-way between sculptural object, and a furnishing accessory. The strong point is the contrast between the natural roughness of the wood, and the tactile and visual perfection of the iron. The functionality is double and eloquent: not only a wood container, but also a space where books can be stored on small shelves open to view. The ideal complement for reading by the fireside.

Primitive, bare, but extraordinarily contemporary and emotional. The bench made of square oak trunks reveals its structure. An intentional wish to return to raw unrefined materials, to place the accent on the primordial concept of being seated. The glossy transparent finish wraps the bench like a veil, leaving as protagonists, the veins and the modulations of the wood itself.

To use singularly as a seat, a small desk or as base, or to stack without limits until a tower is created. The stool in iron, becomes a dynamic element, able to modulate the space, performing several functions contemporaneously Apparently simple in its linearity, it focuses on finding a perfect balance between the proportions and the material chosen, proposing a slim profile which fits well in all working and living spaces.

Playful rationale for the full-wall modular bookcase which cuts the space with ordered geometries. The interplay of volumes and the alternation of full and empty, give greater visual depth to the space and with dynamism modulate the structure in steel and glass. Not only sculptural, but also functional, the library has a distinctly design aspect, its task of containing, hiding, and putting on display. The luminous back-lit cubes give atmosphere to the environment, providing references to the 70’s in the choice of using old treated glass. The cubes lend themselves to multiple uses, practical even as single elements, to create bedside tables or utility tables.

Vertical development and great presence. The wall library, conceived to furnish with functionality, becomes an object of strong decorative impact. Created with a single piece of raw sheet metal, it rises upwards inexorably interrupted only by the shelves, simple appendages perfectly camouflaged. Dedicated to those who love piles of books always in order.

A hymn to the purest geometry and minimalism, for the modular bookcase to lean against the wall. A single item, the internal dividers where the books are displayed, are created in different dimensions, to create an orderly movement. From its subtle and thin aspect, it designs in the environment a defined profile which gives character, decorating with discretion.

Air-light, essential and linear. These are the characteristics of the book-case sculpture which is able to being integrated, with its light and subtle proportions, in every situation, designing a spacial architecture with a decisive and strong personal touch. Free-standing, or fixed, it proposes an interesting play of volumes, and an alternation of full and empty spaces.

Determined and essential. With character but minimal. These are the typical features of the library which leaves a graphic sign, almost a signature on the wall. The thin frame contains strong lines that intersect each other, as if they were random traces sketched on a sheet. The result? Improbable but functional spaces where one can place books which with irony appear to challenge gravity. Double sided, and sculptural, if positioned at the centre of a room, it could become a room divider, and an element of décor.

Rational, coherent and linear. The library support in brushed steel defines the environment with visual impact, modifying its layout with a distinctly design feature. The pure and primordial forms, born from the union and intersection of lines that seem to extend to infinity, play with the optical illusion, creating a network where the books and objects are presented as pieces of furniture.

Delicate lines, interpreted with minimal style, are the distinctive features of the iron wall- library with square uprights and shelves in painted black steel, for an ultra-modern total look in black. Practical and timeless elegance, it adapts easily to all living and contract requirements.

Formal rigor and impeccabile execution for the table which combines a cold and lean material such as iron, with the visual and tactile warmt of wood, without ever being banal. The double overlapping plates, deliberately raised, create a space where the two materials seem never to touch, accentuating the contrast.

For the contemporary home, the proposal is that of a table with essential design, but with character. The forms are minimal, the lines are light, the thicknesses reduced, and the structures elementary. The only distinguishing factor is the color of the surface, which plays with a particular palette, dusty and dark hued, strongly elegant and actual. Available in diverse measures and colors for complete liberty of customization.

Strong visual impact and great scenic presence for the table which draws its inspiration from pure primordial solids, translated in scultpted form. Monolithic in its dimensions, but with a materiality which is almost absent, thanks to the choice of the total optical white glossy finish that makes you want to stroke the smooth surface. A single form, one single white coloring, but available in various sizes.

Proposing direct references to industrial ethics and to rationalism, the table with worked raw- iron table stands, ennobled by the oak-wood top, with important thickness. The iron bands which bind the top, conform with the choice of focusing on a lived-in and lean look, with great visual impact.

A reference to the Artist, in its form and use, for the coffee table that ennobles the common pallet, focusing on unusual materials such as brass or proposing the brilliance of polished steel. Available in various dimensions, it offers a decisive and distinctive message which renders it a discrete protagonist in the space it occupies.

Simple and rigorous design for the coffee table which combines the roughness of the metal of the structure, with the candor of the top painted in shining white. Flat coated fiberglass insulated material with high mechanical strength, treated with polyurethane paint.

Geometric rigor and a sense of pleasant formal lightness, for the table which becomes almost a planning element, to insert seamlessly from the living zone to the workplace. The base, made of steel trestles, is a statement ennobled from the first workbenches. Insulated level of material with in high-resistance mechanical-strength fiberglass, treated with polyurethane paint.

Etherial, but with great personalità, the “Ray” table emanates a golden glow thanks to the choice of using brass for the structure of the leg, moulded into one piece to create continuità. The forms, defined, and at the same time sinuous, make it into a show-piece, like a slender sculpture. Available in white or black finish, in a dynamic place of positive and negative. Top of coated insulated high mechanical-strength fiberglass, treated with polyurethane paint.

A table in fine balance between subtle statement and the purest formal rigor and geometry. Available in various dimensions, combining the solidity of iron staves for the legs, the visual lightness of the crystal glass top. The design of the table supports plays with the contrasts between the volumes and emerges from the transparency of the top, creating an lovely graphic decoration.

An armchair worthy of such a name. Impressive, attractive and solid. The brushed steel structure creates almost a texture which contrasts with the seat and back in brown leather. To show off for its nature as a monolithic element, and for its formal excellence, it proposes an evolution of the concept of seating, which derives from the personal vision of the designer.

Essential and sophisticated Nordic references for the “Oak” table, available also in coffee-table version, which focuses on pure and primary forms from the optical white top, to enhance the naturalness and the lived-in ruggedness of the oak legs. top of coated fiberglass insulated material with high mechanical resistance, treated to mechanical paint

Aiming at an apparently unstable equilibrium, the table in treated iron, with glass top to give greater visual lightness. The support is formed with two L-shaped brackets which give the table an architectural, and at the same time distinctly contemporary character. An equilibrium between form and function studied in the minutest detail, for a proposal which is beyond the norm, without being disturbing.

Discrete dimensions but a strong appeal for the coffee table. “Block” able to modify with personality, the layout of the space. The square shapes of the legs contrast with the light structure of the steel mesh, in a discreet reference to the industrial world, accentuated also by the chromatic choice of the iron-grey shiny finishing of the top. Flat coated fiberglass insulated material with high mechanical strength, treated with polyurethane paint

Exhibits a decisive personality and character of the iron wooden desk-top. The extreme linearity and purity of the forms is interrupted by the visual and functional play of the drawers, which turning on a pivot, give life to an ever-changing geometry, moving the rigorous surfaces and offering usability on the functions of the containing capacity. Steel structure, treated with clear gloss finish

Plays with the fittings, the table in solid oak, which fits onto two imposing iron supports, deliberately left rough, which constitute the base. Imposing, highly linear, and with square and pure forms, a reinterpretation in design mode, from constructions with wooden bricks. Oak top, supports of iron treated with transparent finishing. Oak top, Supports of iron treated with transparent finishing.

Relying on colors and clean lines, reduced almost to the essentials, the seat that combines the iron of its structure, to its fabric upholstering, for a combination effect of its striking formal and functional research. The seat assimilates the concept of a chair, to create a hybrid seating form, a pure and original expression of an innovative design, but available to everyone.

Thin mirrored profiles design the spaces without a solution of continuity, proposing independent day containers which seem to frame the wall. Total is the compositional freedom to modulate according to the space available and aesthetic tastes. Designed to contain, they also feature décor functions, dialoguing with the daily living environments.

Plays deliberately with contrasts, the dresser with an industrial cut, which combines a basic and cold material such as iron for the base, with the drawers, to the suble visual and tactile warmth of the oak wood level. For its linearity, the dresser becomes a flexible piece in its use, and adapted to a variety of solutions, both working and living.